Placeholder image
Placeholder image
Luciana Brito Galeria
Skip to main content
  • Menu
  • Home
  • Gallery
  • Artists
  • Exhibitions
  • Viewing Rooms
  • Contact
  • PT
  • EN
Send an email
Instagram, opens in a new tab.
Facebook, opens in a new tab.
Vimeo, opens in a new tab.
WeChat, opens in a new tab.
Send an email
Instagram, opens in a new tab.
Facebook, opens in a new tab.
Vimeo, opens in a new tab.
WeChat, opens in a new tab.
Menu
  • PT
  • EN

TEFAF 2025: Waldemar Cordeiro | English

Past viewing_room
9 - 13 May 2025
  •  
  • PORTUGUESE
  • May 09th - 13th
     

    WALDEMAR CORDEIRO

    TEFAF 2025

     


    BOOTH 310

  • In 2025, we celebrate the hundredth anniversary of Waldemar Cordeiro’s birth. To honor his legacy, Luciana Brito Galeria (São Paulo, Brazil) and The Mayor Gallery (London, UK) are presenting a selection of works at TEFAF New York that spans the major phases of his artistic production, from 1949 to 1973. More than simply illustrating the timeless ideas Cordeiro developed, these works reflect his far-reaching impact on the transformation of visual art on a global scale, beginning in the 1950s. Today, he is widely recognized as a significant figure in international cultural history.

     

    Waldemar Cordeiro was born in Italy in 1925 and, at the age of 21, emigrated to Brazil, where he soon became a central figure in the emergence of Brazilian contemporary art. In the early 1950s, he played a leading role in founding and shaping the concrete art movement, which he spearheaded through the establishment of Grupo Ruptura (1952). Conceived by the artist, the Ruptura Manifesto called for a new kind of art – revolutionary, independent, and grounded in the principles of space, time, and objectivity. His work from this period reveals a striking visual complexity combined with intelligent interplay of form and color.

  • Membros do Grupo Ruptura numa cantina (provavelmente na rua Santo Antônio): Luiz Sacilotto, Waldemar Cordeiro e Geraldo de Barros. 1953  Members of the Ruptura Group in an Italian restaurant (probably in Santo Antônio Street): Luiz Sacilotto, Waldemar Cordeiro and Geraldo de Barros. 1953 (View more details about this item in a popup).
    Waldemar Cordeiro em seu ateliie / in his studio, 1949 (View more details about this item in a popup).
    Vista da exposição Ruptura no Museu de Arte Moderna de São Paulo. 1952  View of the Ruptura exhibition at the São Paulo Museum of Modern Art. 1952 (View more details about this item in a popup).
    Membros do Grupo Ruptura: Lothar Charoux, Anatol Wladyslaw, Kazmer Féjer e Waldemar Cordeiro (da esquerda para direita)  Members of the Ruptura Group: Lothar Charoux, Anatol Wladyslaw, Kazmer Féjer and Waldemar Cordeiro (from left to right) (View more details about this item in a popup).
    Membros do Grupo Ruptura numa cantina (provavelmente na rua Santo Antônio): Luiz Sacilotto, Waldemar Cordeiro e Geraldo de Barros. 1953  Members of the Ruptura Group in an Italian restaurant (probably in Santo Antônio Street): Luiz Sacilotto, Waldemar Cordeiro and Geraldo de Barros. 1953 (View more details about this item in a popup).
    Waldemar Cordeiro em seu ateliie / in his studio, 1949 (View more details about this item in a popup).
    Vista da exposição Ruptura no Museu de Arte Moderna de São Paulo. 1952  View of the Ruptura exhibition at the São Paulo Museum of Modern Art. 1952 (View more details about this item in a popup).
    Membros do Grupo Ruptura: Lothar Charoux, Anatol Wladyslaw, Kazmer Féjer e Waldemar Cordeiro (da esquerda para direita)  Members of the Ruptura Group: Lothar Charoux, Anatol Wladyslaw, Kazmer Féjer and Waldemar Cordeiro (from left to right) (View more details about this item in a popup).
    Membros do Grupo Ruptura numa cantina (provavelmente na rua Santo Antônio): Luiz Sacilotto, Waldemar Cordeiro e Geraldo de Barros. 1953  Members of the Ruptura Group in an Italian restaurant (probably in Santo Antônio Street): Luiz Sacilotto, Waldemar Cordeiro and Geraldo de Barros. 1953 (View more details about this item in a popup).
    Waldemar Cordeiro em seu ateliie / in his studio, 1949 (View more details about this item in a popup).

    View of Ruptura exhibition at the São Paulo Museum of Modern Art. 1952

  • W A L D E M A R C O R D E I R O Sem título | Untitled,...
    W A L D E M A R   C O R D E I R O
    Sem título | Untitled, 1952

    têmpera sobre compensado
    temper on plywood

    29,5 x 41 cm
    11.61 x 16.14 in

    View more details
  • W A L D E M A R C O R D E I R O Sem título | Untitled,...
    W A L D E M A R   C O R D E I R O
    Sem título | Untitled, 1952

    esmalte sobre compensado
    enamel on plywood

    23,5 x 30,5 cm
    9.25 x 12.01 in

    View more details
  • W A L D E M A R C O R D E I R O Sem título | Untitled,...
    W A L D E M A R   C O R D E I R O
    Sem título | Untitled, 1951

    têmpera sobre compensado
    temper on cardboard on wood

    27 x 21 cm
    10.63 x 8.27 in
    View more details

  • Waldemar Cordeiro: Fantasia Exata, Itaú Cultural, São Paulo, 2013 (View more details about this item in a popup).
    Waldemar Cordeiro: Constellations, ZKM Center for Art and Media Karlsruhe, Germany, 2025 (View more details about this item in a popup).
    Waldemar Cordeiro: Constellations, ZKM Center for Art and Media Karlsruhe, Germany, 2025 (View more details about this item in a popup).
    Waldemar Cordeiro: Fantasia Exata, Itaú Cultural, São Paulo, 2013 (View more details about this item in a popup).
    Waldemar Cordeiro: Fantasia Exata, Itaú Cultural, São Paulo, 2013 (View more details about this item in a popup).
    Waldemar Cordeiro: Fantasia Exata, Itaú Cultural, São Paulo, 2013 (View more details about this item in a popup).
    Waldemar Cordeiro: Fantasia Exata, Itaú Cultural, São Paulo, 2013 (View more details about this item in a popup).
    Waldemar Cordeiro: Fantasia Exata, Itaú Cultural, São Paulo, 2013 (View more details about this item in a popup).
    Waldemar Cordeiro: Constellations, ZKM Center for Art and Media Karlsruhe, Germany, 2025 (View more details about this item in a popup).
    Waldemar Cordeiro: Constellations, ZKM Center for Art and Media Karlsruhe, Germany, 2025 (View more details about this item in a popup).
    Waldemar Cordeiro: Fantasia Exata, Itaú Cultural, São Paulo, 2013 (View more details about this item in a popup).
    Waldemar Cordeiro: Fantasia Exata, Itaú Cultural, São Paulo, 2013 (View more details about this item in a popup).
    Waldemar Cordeiro: Fantasia Exata, Itaú Cultural, São Paulo, 2013 (View more details about this item in a popup).
    Waldemar Cordeiro: Fantasia Exata, Itaú Cultural, São Paulo, 2013 (View more details about this item in a popup).
    Waldemar Cordeiro: Fantasia Exata, Itaú Cultural, São Paulo, 2013 (View more details about this item in a popup).
    Waldemar Cordeiro: Constellations, ZKM Center for Art and Media Karlsruhe, Germany, 2025 (View more details about this item in a popup).

    Waldemar Cordeiro: Constellations, ZKM Center for Art and Media Karlsruhe, Germany, 2025

  • W A L D E M A R C O R D E I R O Sem título | Untitled,...
    W A L D E M A R   C O R D E I R O
    Sem título | Untitled, 1961

    óleo sobre tela
    oil on canvas

    76,3 x 38 cm
    30 x 14.9 in

    View more details
  • Between 1960 and 1963, Waldemar Cordeiro entered his Intuitive Geometry phase, during which he began experimenting with hand-drawn lines, demonstrating an interest in perceptual psychology – a creative tool also used in his concrete phase, in the same way he had used the forms and colors of Brazil’s tropical vegetation. A piece from this period was featured in the 60th Venice Biennale in 2024.

     

    In 1964, Cordeiro began incorporating found objects from everyday life into his compositions, calling them Popcretos – a term coined by poet Augusto de Campos to combine pop and concrete art. Inspired by the concept of the “open work,” developed by scholar Umberto Eco, he included active public participation in his work, along with political critiques of Latin American realities and global consumerism.

  • W A L D E M A R C O R D E I R O Sem título | Untitled,...
    W A L D E M A R   C O R D E I R O
    Sem título | Untitled, 1963

    óleo sobre tela
    oil on canvas

    75 x 74,5
    29.53 x 29.33 in
    View more details

  • Waldemar Cordeiro migrated to Brazil in 1946 and soon became the leader of the Concrete Art movement in São Paulo... Waldemar Cordeiro migrated to Brazil in 1946 and soon became the leader of the Concrete Art movement in São Paulo... Waldemar Cordeiro migrated to Brazil in 1946 and soon became the leader of the Concrete Art movement in São Paulo... Waldemar Cordeiro migrated to Brazil in 1946 and soon became the leader of the Concrete Art movement in São Paulo...
    Waldemar Cordeiro migrated to Brazil in 1946 and soon became the leader of the Concrete Art movement in São Paulo (1952–1959). Although Waldemar Cordeiro is better known for the radicalism with which he advocated for geometric abstraction devoid of subjectivity (achieved with industrial paint to eliminate traces of handmade brushstrokes), one of the most interesting moments in his artistic trajectory is the period of transition to the next phase of his art, when he would begin to add three- dimensional objects onto his paintings. Untitled (1963) was created during this brief transition. Here, the plus sign (+) and the multiplication sign (x), as well as the circles, are hand- painted on a solid green background. In this composition, he is no longer interested in demonstrating his skills in applying mathematics to construct optical illusions but rather he simply enjoys the pleasure of painting. Still using mathematical symbols, he creates a freehand pattern, where he simultaneously marks his presence and depicts a decorative image, both approaches he would once have found inconceivable.


    This is the first time the work of Waldemar Cordeiro is presented at Biennale Arte (2024).

     

    -Regina Barros
  • W A L D E M A R C O R D E I R O Sem título | Untitled,...
    W A L D E M A R   C O R D E I R O
    Sem título | Untitled, 1963

    óleo sobre tela
    oil on canvas

    37,5 x 36 cm
    14.76 x 14.17 in
    View more details

    • Waldemar Cordeiro Sem título | Untitled, 1963 óleo sobre tela oil on canvas 18,5 x 27 cm 7.28 x 10.63 in
      Waldemar Cordeiro
      Sem título | Untitled, 1963
      óleo sobre tela
      oil on canvas
      18,5 x 27 cm
      7.28 x 10.63 in
      View more details
      Enquire
      %3Cdiv%20class%3D%22artist%22%3EWaldemar%20Cordeiro%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ESem%20t%C3%ADtulo%20%7C%20Untitled%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E1963%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3E%C3%B3leo%20sobre%20tela%3Cbr/%3E%0Aoil%20on%20canvas%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E18%2C5%20x%2027%20cm%3Cbr/%3E%0A7.28%20x%2010.63%20in%3C/div%3E
    • Waldemar Cordeiro Sem título | Untitled, 1963 óleo sobre tela oil on canvas 24,3 x 31,7 cm 9.57 x 12.48 in
      Waldemar Cordeiro
      Sem título | Untitled, 1963
      óleo sobre tela
      oil on canvas
      24,3 x 31,7 cm
      9.57 x 12.48 in
      View more details
      Enquire
      %3Cdiv%20class%3D%22artist%22%3EWaldemar%20Cordeiro%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ESem%20t%C3%ADtulo%20%7C%20Untitled%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E1963%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3E%C3%B3leo%20sobre%20tela%3Cbr/%3E%0Aoil%20on%20canvas%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E24%2C3%20x%2031%2C7%20cm%3Cbr/%3E%0A9.57%20x%2012.48%20in%3C/div%3E
  • Geometria Intuitiva, Luciana Brito Galeria, São Paulo, 2022 (View more details about this item in a popup).
    Geometria Intuitiva, Luciana Brito Galeria, São Paulo, 2022 (View more details about this item in a popup).
    Geometria Intuitiva, Luciana Brito Galeria, São Paulo, 2022 (View more details about this item in a popup).
    Geometria Intuitiva, Luciana Brito Galeria, São Paulo, 2022 (View more details about this item in a popup).
    Geometria Intuitiva, Luciana Brito Galeria, São Paulo, 2022 (View more details about this item in a popup).
    Geometria Intuitiva, Luciana Brito Galeria, São Paulo, 2022 (View more details about this item in a popup).
    Geometria Intuitiva, Luciana Brito Galeria, São Paulo, 2022 (View more details about this item in a popup).
    Geometria Intuitiva, Luciana Brito Galeria, São Paulo, 2022 (View more details about this item in a popup).

    Geometria Intuitiva, Luciana Brito Galeria, São Paulo, 2022

  • By the late 1960s, Cordeiro had become a pioneer in the field of computer-based art in Latin America. Using photographic sources, he developed his own methodology to explore visual transformations of figurative imagery, experimenting with the new possibilities offered by emerging technologies. In 1971, he organized Arteônica, the first international exhibition of computer art in Brazil, which definitively introduced electronic media into artistic discourse. The term Arteônica – coined by Cordeiro to unite art and electronics – remains unique in its ability to encompass all phases of electronic media in the history of art. His contributions in this area are widely regarded as both groundbreaking and visionary.

  • W A L D E M A R C O R D E I R O Sem título | Untitled,...
    W A L D E M A R   C O R D E I R O
    Sem título | Untitled, 1965

    nanquim sobre papel vegetal
    china ink on tracing paper

    32 x 45 cm
    12.6 x 17.72 in
    View more details

  • W A L D E M A R C O R D E I R O “USCOQ”, 1965 guache sobre...
    W A L D E M A R   C O R D E I R O
    “USCOQ”, 1965

    guache sobre papel vegetal
    gouache on tracing paper

    21,5 x 32 cm
    8.46 x 12.6 in

    View more details
  • W A L D E M A R C O R D E I R O “Gente Grau 0”, 1973...
     
    W A L D E M A R   C O R D E I R O
    “Gente Grau 0”, 1973

    impressão de computador
    computer output

    140,5 x 75 cm
    55.31 x 29.53 in

    View more details
  • W A L D E M A R C O R D E I R O 'A Mulher que Não...
    W A L D E M A R  C O R D E I R O
    "A Mulher que Não É B.B.", 1971

    impressão offset

    offset print

    61 x 44,5 cm
    24 x 17,5 in
    View more details
     
    Enquire
    %3Cdiv%20class%3D%22artist%22%3EWaldemar%20Cordeiro%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3E%E2%80%9CA%20Mulher%20que%20N%C3%A3o%20%C3%89%20B%20B%E2%80%9D%20%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E1971%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Eimpress%C3%A3o%20offset%3Cbr/%3E%0Aoffset%20print%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E61%20x%2044%2C5%20cm%3Cbr/%3E%0A24.01%20x%2017.51%20in%3C/div%3E
    • Waldemar Cordeiro “Derivadas de uma imagem: Transformação em Grau 0”, 1969 impressão offset offset print 61 x 44,5 cm 24.01 x 17.51 in
      Waldemar Cordeiro
      “Derivadas de uma imagem: Transformação em Grau 0”, 1969
      impressão offset
      offset print
      61 x 44,5 cm
      24.01 x 17.51 in
      View more details
      Enquire
      %3Cdiv%20class%3D%22artist%22%3EWaldemar%20Cordeiro%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3E%E2%80%9CDerivadas%20de%20uma%20imagem%3A%20Transforma%C3%A7%C3%A3o%20em%20Grau%200%E2%80%9D%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E1969%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Eimpress%C3%A3o%20offset%3Cbr/%3E%0Aoffset%20print%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E61%20x%2044%2C5%20cm%3Cbr/%3E%0A24.01%20x%2017.51%20in%3C/div%3E
    • Waldemar Cordeiro “Derivadas de uma imagem: Transformação em Grau 1”, 1969 impressão offset offset print 61 x 44,5 cm 24.01 x 17.51 in
      Waldemar Cordeiro
      “Derivadas de uma imagem: Transformação em Grau 1”, 1969
      impressão offset
      offset print
      61 x 44,5 cm
      24.01 x 17.51 in
      View more details
      Enquire
      %3Cdiv%20class%3D%22artist%22%3EWaldemar%20Cordeiro%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3E%E2%80%9CDerivadas%20de%20uma%20imagem%3A%20Transforma%C3%A7%C3%A3o%20em%20Grau%201%E2%80%9D%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E1969%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Eimpress%C3%A3o%20offset%3Cbr/%3E%0Aoffset%20print%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E61%20x%2044%2C5%20cm%3Cbr/%3E%0A24.01%20x%2017.51%20in%3C/div%3E
  • Waldemar Cordeiro: Constellations, ZKM Center for Art and Media Karlsruhe, Germany, 2025 (View more details about this item in a popup).
    Waldemar Cordeiro: Constellations, ZKM Center for Art and Media Karlsruhe, Germany, 2025 (View more details about this item in a popup).
    Waldemar Cordeiro: Fantasia Exata, Itaú Cultural, São Paulo, 2013 (View more details about this item in a popup).
    1970  The Brazilian newspapers gave high quality coverage to the new creations of art made with computers, of which Waldemar Cordeiro was a pioneer in Latin America. (View more details about this item in a popup).
    1971 Arteônica  The term Arteônica [Artonics] was invented by Waldemar Cordeiro. It is the combination of two words: arte [art] + eletrônica [electronics]. It denotes art made with electronic means, which at that time was the computer. In the rest of the world, it was called computer art. The exhibition Arteônica was the first exhibition of Latin American computer art held at FAAP in São Paulo. The catalog presents the artists through texts and images that they sent, published in each artist’s original language. The format is loose pages so that the readers can remove those that they want without following the preestablished order as in a traditional book or catalog. (View more details about this item in a popup).
    1971 Catalog of the exhibition Arteônica  A summarized version of the exhibition Arteônica was held at the Museu de Arte Contemporânea of Campinas. (View more details about this item in a popup).
    1976  An issue of the magazine Computer Graphics and Art that shows the work People by Waldemar Cordeiro on its cover. MoMA bought an artwork from the same series. (View more details about this item in a popup).
    Waldemar Cordeiro: Constellations, ZKM Center for Art and Media Karlsruhe, Germany, 2025 (View more details about this item in a popup).
    Waldemar Cordeiro: Constellations, ZKM Center for Art and Media Karlsruhe, Germany, 2025 (View more details about this item in a popup).
    Waldemar Cordeiro: Fantasia Exata, Itaú Cultural, São Paulo, 2013 (View more details about this item in a popup).
    1970  The Brazilian newspapers gave high quality coverage to the new creations of art made with computers, of which Waldemar Cordeiro was a pioneer in Latin America. (View more details about this item in a popup).
    1971 Arteônica  The term Arteônica [Artonics] was invented by Waldemar Cordeiro. It is the combination of two words: arte [art] + eletrônica [electronics]. It denotes art made with electronic means, which at that time was the computer. In the rest of the world, it was called computer art. The exhibition Arteônica was the first exhibition of Latin American computer art held at FAAP in São Paulo. The catalog presents the artists through texts and images that they sent, published in each artist’s original language. The format is loose pages so that the readers can remove those that they want without following the preestablished order as in a traditional book or catalog. (View more details about this item in a popup).
    1971 Catalog of the exhibition Arteônica  A summarized version of the exhibition Arteônica was held at the Museu de Arte Contemporânea of Campinas. (View more details about this item in a popup).
    1976  An issue of the magazine Computer Graphics and Art that shows the work People by Waldemar Cordeiro on its cover. MoMA bought an artwork from the same series. (View more details about this item in a popup).
    Waldemar Cordeiro: Constellations, ZKM Center for Art and Media Karlsruhe, Germany, 2025 (View more details about this item in a popup).
    Waldemar Cordeiro: Constellations, ZKM Center for Art and Media Karlsruhe, Germany, 2025 (View more details about this item in a popup).

    Waldemar Cordeiro: Fantasia Exata, Itaú Cultural, São Paulo, 2013

  • Waldemar Cordeiro, "Computer-Art"

    Excerpt of the film Waldemar Cordeiro - Exact Phantasy.

  • Waldemar Cordeiro

    1925, Rome, Italy – 1973, São Paulo, Brazil
    Waldemar Cordeiro was a key figure in the development of concrete art, a vanguard movement essential for the transition of modern art to contemporary art, which came to define 20th-century Brazilian art. Besides being a pioneer in computer art as early as the 1960s, Waldemar Cordeiro developed and implemented important landscaping designs in Brazil. In his interdisciplinary research he defended painting in its essence, with self-supporting basic colors and lines, without the backing of figurative representation. He was notable for his objective and rational art, very much associated with his theoretical studies, as well as for his investigation of industrial materials and elements. Cordeiro worked for an art accessible to all, seeking a collective sense that was also aligned with technology, to design and to landscaping. His research in art was always coupled with a social and political concern.
     
    Waldemar Cordeiro studied at the Academy of Fine Arts of Rome (1938) and at the Tasso Lyceum of Rome (1945). In 1949, he took up residence in Brazil. He participated in the inaugural show of the Museu de Arte Moderna of São Paulo (MAM-SP), Do figurativismo ao abstracionismo (1949), and in the 1st Bienal de São Paulo (1951). He was also one of the organizers of the show Ruptura, also at MAM-SP (1952), and of Arteônica, at Fundação Armando Alvares Penteado, FAAP-SP (1971). Solo shows of his work have been held at noteworthy venues, including the permanent show online Waldemar Cordeiro: Bits of the Planet, ZKM Center for Art and Media (Germany), MAM-RJ/SP, CCSP, Buffalo University (USA), MAC-SP, Itaú Cultural, São Paulo, and the Paço Imperial, Rio de Janeiro. Group shows featuring his work have been held at important venues which include the Walker Art Center (USA), the Pinacoteca de São Paulo, the Museum of Fine Arts Houston (USA), the Museum of Modern Art (MoMA), New York (USA), CCBB-SP/RJ, Goethe-Institut, New York (USA), the Museo Nacional Centro de Arte Reina Sofía, Madrid (Spain), Instituto Tomie Ohtake, São Paulo, the Venice Biennale (2024), the Bienal de São Paulo (2012, 1975, 1973, 1969, 1967, 1965, 1963, 1961, 1959, 1957, 1955, 1953 and 1951), and the Biennial of Nuremberg (Germany). Waldemar Cordeiro’s works figure in many prominent collections, including those of the Cisneros Fontanals Art Foundation (USA), the Museu de Arte Contemporânea of the University of São Paulo, the Patricia Phelps de Cisneros Collection (USA), the Pinacoteca de São Paulo, the Museum of Modern Art (MoMA) of New York (USA), the Museum of Fine Arts, Houston (USA), and ZKM Museum (Germany).

Avenida Nove de Julho, 5162

01406-200 – São Paulo, SP – Brazil

info@lucianabritogaleria.com.br

Phone +55 11 3842 0634

Whatsapp +55 11 9 3403 6924

Opening Hours
Mon - 10am to 6pm
Tue to Fri - 10am to 7pm
Sat - 11am to 5pm

Go
Send an email
Instagram, opens in a new tab.
Facebook, opens in a new tab.
Vimeo, opens in a new tab.
WeChat, opens in a new tab.
Privacy Policy
Manage cookies
Copyright © 2025 Luciana Brito Galeria
Online Viewing Rooms by Artlogic

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences
Previous
Next
Close