Marina Abramovic Serbian

Biography

1946, Belgrade, Serbia. Lives and works in New York, USA.

 

Marina Abramovic became known worldwide for her research in performance art, which as early as the 1960s presented artistic experiences involving the discussion about the limits of the body and the mind, along with a direct relationship between the artist and the public. From the 1980s onward, the artist began to investigate the subjects related to spirituality and religious syncretism, as well as the potentials of the mind, body and spirit, through a connection with nature and the sacred. This investigation took on even greater importance in the artist’s work after her first visit to Brazil, in 1989, when she gained experiences that provided rich material for the production of photographs, videos, sculptures and installations.
 
Marina Abramovic graduated from the Academy of Fine Arts (Belgrade, 1970), the Academy of Fine Arts (Zagreb, 1972) and from the Art Institute of Chicago (2005). She is a cofounder of the Marina Abramovic Institute (MAI), in New York, a platform for immaterial art and long-duration performances. Her first solo show was held in 1964 at the Workers’ University, in Belgrade; since then, she has presented dozens of solo shows at institutions such as  Usina de Arte, Água Preta (Brasil), Stedelijk Museum, Amsterdã (Holanda), Royal Academy of Arts (UK), MoMA (USA), Guggenheim Museum (USA), Serpentine Galleries (UK), MoMA PS1 (USA), the Museo Nacional Centro de Arte Reina Sofía (Spain), Neue Nationalgalerie (Germany), the Centre Georges Pompidou (France), Stedelijk Museum (Netherlands), the Fundação Calouste Gulbenkian (Portugal), Sesc Pompeia (Brazil), and others. Abramovic has participated in countless group shows, most notably the 45th (1993) and the 47th (1997) editions of the Venice Biennale (winning the Golden Lion Award for Best Artist); dOCUMENTA (13), documenta IX, documenta 8 and documenta 6 (2012, 1992, 1988 and 1977); the 28th, 18th and 16th editions of the Bienal de São Paulo (2008, 1985 and 1981); the 5th and the 13th Bienal do Mercosul (2007); and the 7th Bienal de la Habana (2000). Marina Abramovic also performs the play "7 Deaths of Maria Callas", since 2020 roaming different countries. Her artworks figure in many prominent public and private collections, including those of Cisneros Fontanals Art Foundation, Miami (USA), the Kunstmuseum (Switzerland), Museum Ludwig (Germany), the San Francisco Museum of Modern Art (USA), the Solomon R. Guggenheim Museum (USA), and the Museum of Modern Art (MoMA), New York (USA).
Works
  • Marina Abramovic, Chair for Human Use (I), 2015
    Marina Abramovic
    Chair for Human Use (I), 2015
    madeira e pedras de cristal quartzo | wood and stones of crystal quartz
    150 x 50 x 40 cm | 59.05 x 19.68 x 15.75 in
  • Marina Abramovic, Chair for Human Use (III), 2015
    Marina Abramovic
    Chair for Human Use (III), 2015
    Madeira e pedras de cristal quartzo
    Wood and crystal quartz stones
    110 x 65 x 80 cm
    41.31 x 25.60 x 31.50 in
    Ed 1/4
  • Marina Abramovic, Chair for Human Use (III), 2015
    Marina Abramovic
    Chair for Human Use (III), 2015
    madeira e pedras de cristal quartzo | wood and crystal quartz stones
    125 z 47 x 70 cm | 49.22 x 18.50 x 27.56 in
    Ed 2/4
  • Marina Abramovic, Standing Structure for Human Use, 2015
    Marina Abramovic
    Standing Structure for Human Use, 2015
    madeira e pedras de cristal quartzo
    wood and crystal quartz stones
    200 x 115 x 65 cm
    78.74 x 45.27 x 25.59 in
    Ed 1/2
  • Marina Abramovic, The Current, triptych, 2013/2015
    Marina Abramovic
    The Current, triptych, 2013/2015
    c-print
    61 x 183 cm
    24 x 72 in
    ed 1/7 + 2 A.P.
  • Marina Abramovic, "Floating" from the series "Places of Power", 2013
    Marina Abramovic
    "Floating" from the series "Places of Power", 2013
    impressão em pigmento fine art
    fine art pigment print
    160 x 213 cm
    63 x 83.87 in
    4/5 + 2 A.P.
  • Marina Abramovic, Places of Power, The Garden of Maitreya, 2013
    Marina Abramovic
    Places of Power, The Garden of Maitreya, 2013
    C-print
    160 x 212,5 cm | 62.99 x 83.66 in
    1/7
  • Marina Abramovic, Places of Power, Waterfall, 2013
    Marina Abramovic
    Places of Power, Waterfall, 2013
    vídeo
    6’20’’
    1/5
  • Marina Abramovic, The Communicator (16), 2012
    Marina Abramovic
    The Communicator (16), 2012
    cera com cristais de quartzo e turmalina preta, pedestal de vidro
    wax with quartz crystals and black tourmaline stone, glass plinth
    27 x 39 x 38 cm | 27 x 39 x 38 cm
  • Marina Abramovic, Holding the Lamb, 2010
    Marina Abramovic
    Holding the Lamb, 2010
    c-print
    160 x 200 cm | 62.99 x 78.74 in
    2/9
  • Marina Abramovic, Spirit Cooking , 1996
    Marina Abramovic
    Spirit Cooking , 1996
    Gravura em metal | Metal etching
    31,5 x 27,8 cm (cada) | 12.40 x 10.95 in (each)
  • Marina Abramovic, Spirit Cooking, 1996
    Marina Abramovic
    Spirit Cooking, 1996
    Gravura em metal | Metal etching
    31,5 x 27,8 cm (cada) | 12.40 x 10.95 in (each)
  • Marina Abramovic, Spirit Cooking , 1996
    Marina Abramovic
    Spirit Cooking , 1996
    Gravura em metal | Metal etching
    31,5 x 27,8 cm (cada) | 12.40 x 10.95 in (each)
  • Marina Abramovic, Inner Sky, 1991
    Marina Abramovic
    Inner Sky, 1991
    geodo de ametista e ferro | amethyst geode and iron
    290 x 100 x 80 cm | 114.17 x 39.37 x 31.49 in
  • Marina Abramovic, Art Must Be Beautiful / Artist Must Be Beautiful, 1975 / 2010
    Marina Abramovic
    Art Must Be Beautiful / Artist Must Be Beautiful, 1975 / 2010
    20 impressões em gelatina de prata | 20 silver gelatin prints
    270 x 390 cm (64 x 75 cm cada | each)
    Ed 2/3
Exhibitions