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  • Open a larger version of the following image in a popup: Rob Wynne, “Pink Exclamation”, 2024

    Rob Wynne

    “Pink Exclamation”, 2024
    vidro derramado e espelhado
    poured and mirrored glass
    61 x 11,4 cm
    24 x 4.5 in
    Enquire
    %3Cdiv%20class%3D%22artist%22%3ERob%20Wynne%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3E%E2%80%9CPink%20Exclamation%E2%80%9D%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2024%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Evidro%20derramado%20e%20espelhado%3Cbr/%3E%0Apoured%20and%20mirrored%20glass%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E61%20x%2011%2C4%20cm%3Cbr/%3E%0A24%20x%204.5%20in%3C/div%3E
    @wynne_rob Rob Wynne é um colecionador de memórias. Muito atento ao seu próprio contexto e à cultura popular, o artista utiliza a sintaxe visual para combinar fragmentos extraídos de conversas,...
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    @wynne_rob
     

    Rob Wynne é um colecionador de memórias. Muito atento ao seu próprio contexto e à cultura popular, o artista utiliza a sintaxe visual para combinar fragmentos extraídos de conversas, literatura, teatro, cinema etc, em instalações que empregam imagens e, principalmente, textos como elementos principais, seja em esculturas, instalações, colagens ou impressão digital.

     

    Acidentalmente, durante uma visita em uma fundição de vidro, Rob Wynne descobriu seu verdadeiro interesse pelo material, que passou a ser largamente utilizado em sua obra, na qual ele trabalha formas orgânicas, obtidas com o material ainda líquido, que é espalhado por ele manualmente. O interesse se deu quando ele segurava uma concha de vidro derretido, quando escorregou e caiu no chão, formando o que ele considera como uma "explosão cósmica".



    Rob Wynne is a collector of memories. Deeply attuned to his context and to popular culture, Wynne uses visual syntax to combine fragments from conversations, literature, theater, film, and other sources. His sculptures, collages, digital prints, and installations feature images and, primarily, text as central elements.
     
    Wynne’s fascination with glass began accidentally during a visit to a glass foundry, where he discovered its potential as a medium. He often creates organic forms by manually spreading molten glass. This interest was sparked when a shell-shaped piece of molten glass he was holding slipped from his hands, falling to the floor to create what he later described as a “cosmic explosion.”
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Avenida Nove de Julho, 5162

01406-200 – São Paulo, SP – Brasil

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